Japanese art in perspective : east-west encounters /
Takashina, Shūji, 1932-
Japanese art in perspective : east-west encounters / Nihon bijutsu o miru me : Higashi to Nishi no deai : zōho : Eibunban Takashina Shūji ; translated by Matt Treyvaud. - First English edition. - 191 pages, viii pages of plates : illustrations (some color) ; 22 cm. - Japan library . - Japan library (Shuppan Bunka Sangyō Shinkō Zaidan) .
Includes bibliographical references.
Part I: Methods of Japanese Art. The Character of Japanese Aesthetics -- Object and Form -- Forms of Seeing, East and West -- The "Trailing Bough" Motif -- The Art of the Journey -- The Principle of Ornamentation -- Part II: East-West Encounters. East and West in Meiji Painting -- The Avant-Garde in Japanese Art -- Japanese Academism -- Some Problems of Japonisme -- Part III: Passing Beauty, Returning Memory. The Aesthetics of Transition: The Four Seasons and the Japanese Sense of Beauty -- "The Color of the Flowers": Symphonies of Image and Word -- The Heritage of Memory: Intangible Culture as Japanese Tradition.
"How do Japanese and Western aesthetics differ? In this comparative cultural study, TAKASHINA Shūji, a leading scholar of Western art history and insightful commentator on Japanese art, compares the two artistic traditions to reveal the distinctive characteristics of the Japanese sense of beauty. The first section, Methods of Japanese Art, uses examples and cross-cultural comparisons to elucidate the techniques by which Japanese artists cultivated their unique approach. These include roving rather than fixed perspective, the 'aesthetic of negation' -- excising the unnecessary to emphasize what remains -- and the 'trailing bough' motif, which evokes a world beyond the work's borders and influenced Western artists such as Monet. In the second section, East-West Encounters, Takashina examines the history of cultural interaction between Japan and the West from the early modern period on and its influence on the art of both. The third section, Passing Beauty, Returning Memory, contains essays on Japanese culture more broadly, including its preference for recurring forms over fixed monuments and its tradition of combining multiple seasons in a single image. Japanese Art in Perspective is a guide not only to the art of Japan but to the essence of its spiritual culture." --
9784866581804 4866581808
2020436518
BC0635910X JP-ToKJK
Art, Japanese--To 1868.
Painting, Japanese--Meiji period, 1868-1912.
Painting, Japanese--European influences.
Comparative arts.
N7353 / .T23613 2021
Japanese art in perspective : east-west encounters / Nihon bijutsu o miru me : Higashi to Nishi no deai : zōho : Eibunban Takashina Shūji ; translated by Matt Treyvaud. - First English edition. - 191 pages, viii pages of plates : illustrations (some color) ; 22 cm. - Japan library . - Japan library (Shuppan Bunka Sangyō Shinkō Zaidan) .
Includes bibliographical references.
Part I: Methods of Japanese Art. The Character of Japanese Aesthetics -- Object and Form -- Forms of Seeing, East and West -- The "Trailing Bough" Motif -- The Art of the Journey -- The Principle of Ornamentation -- Part II: East-West Encounters. East and West in Meiji Painting -- The Avant-Garde in Japanese Art -- Japanese Academism -- Some Problems of Japonisme -- Part III: Passing Beauty, Returning Memory. The Aesthetics of Transition: The Four Seasons and the Japanese Sense of Beauty -- "The Color of the Flowers": Symphonies of Image and Word -- The Heritage of Memory: Intangible Culture as Japanese Tradition.
"How do Japanese and Western aesthetics differ? In this comparative cultural study, TAKASHINA Shūji, a leading scholar of Western art history and insightful commentator on Japanese art, compares the two artistic traditions to reveal the distinctive characteristics of the Japanese sense of beauty. The first section, Methods of Japanese Art, uses examples and cross-cultural comparisons to elucidate the techniques by which Japanese artists cultivated their unique approach. These include roving rather than fixed perspective, the 'aesthetic of negation' -- excising the unnecessary to emphasize what remains -- and the 'trailing bough' motif, which evokes a world beyond the work's borders and influenced Western artists such as Monet. In the second section, East-West Encounters, Takashina examines the history of cultural interaction between Japan and the West from the early modern period on and its influence on the art of both. The third section, Passing Beauty, Returning Memory, contains essays on Japanese culture more broadly, including its preference for recurring forms over fixed monuments and its tradition of combining multiple seasons in a single image. Japanese Art in Perspective is a guide not only to the art of Japan but to the essence of its spiritual culture." --
9784866581804 4866581808
2020436518
BC0635910X JP-ToKJK
Art, Japanese--To 1868.
Painting, Japanese--Meiji period, 1868-1912.
Painting, Japanese--European influences.
Comparative arts.
N7353 / .T23613 2021