MARC details
| 000 -LEADER |
|---|
| fixed length control field |
02385nam a22002177a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
UPMIN |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20240320163843.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
240223b |||||||| |||| 00| 0 eng d |
| 040 ## - CATALOGING SOURCE |
|---|
| Transcribing agency |
UPMin |
| 090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (RLIN) |
|---|
| Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
LG993.5 2023 |
| Local cutter number (OCLC) ; Book number/undivided call number, CALL (RLIN) |
C54 A44 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Alfonso, Janielle Rose T. |
| Relator term |
author |
| 9 (RLIN) |
25158 |
| 245 ## - TITLE STATEMENT |
|---|
| Title |
Representation of women in the lyrics of Cha-Cha songs: |
| Remainder of title |
a critical discourse analysis of selected Waray-Waray songs / |
| Statement of responsibility, etc. |
Janielle Rose T. Alfonso; Karen Joyce G. Cayamanda, adviser |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Date of publication, distribution, etc. |
2023 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
102 leaves |
| 502 ## - DISSERTATION NOTE |
|---|
| Dissertation note |
Thesis |
| Degree type |
(BA Communication and Media Arts) |
| Name of granting institution |
University of the Philippines Mindanao, |
| Year degree granted |
2023 |
| 520 3# - SUMMARY, ETC. |
|---|
| Summary, etc. |
Music has always reflected people's perspectives, emotions, and values; it reveals cultural identities, historical backgrounds, and various social dispositions. Lyrics in music, on the other hand, have been thought to fulfill a variety of roles. This thesis set out to examine the women in the lyrics of the Waray-Waray cha-cha songs entitled “Pigsote”, “Pikahi”, “Birahe”, and “Turutanding”. The main aims of this study were to: (1) identify the elements presented in the selected Waray-Waray cha-cha songs, (2) unravel how the themes are presented in the selected Waray-Waray cha-cha songs, and (3) discover how discourse plays in the depiction of women in the lyrics of the popular Waray-Waray cha-cha songs. Employing the Critical Discourse Analysis Theory during the investigation of media texts, the study discovered that the three songs established a good communicative occurrence since they have met the seven standards of textuality: cohesion, coherence, intentionality, acceptability, situationality, informativity, and intertextuality. This study discovered that the themes of the Waray-Waray cha-cha songs were communicated through the use of sexual innuendos, sensuous descriptive phrases, and sexual metaphors directed towards women. Additionally, by integrating the perspectives of Muted Group Theory and Cultivation Theory, it was able to determine the essence of discourse in revealing the pervasive and frequently hidden systems of beliefs, standards, and ideals that women receive from the way they are portrayed in the lyrics of the Waray-Waray songs.<br/> |
| 658 ## - INDEX TERM--CURRICULUM OBJECTIVE |
|---|
| Main curriculum objective |
UndergraduateThesis |
| Curriculum code |
COMA200 |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Cayamanda, Karen Joyce G. |
| Relator term |
adviser |
| 9 (RLIN) |
743 |
| 905 ## - LOCAL DATA ELEMENT E, LDE (RLIN) |
|---|
| a |
Fi |
| -- |
UP |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Thesis |
| Suppress in OPAC |
No |
