MARC details
| 000 -LEADER |
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| fixed length control field |
02411nam a22002177a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
UPMIN |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240430144716.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
240226b |||||||| |||| 00| 0 eng d |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
UPMin |
| 090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (RLIN) |
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| Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
LG993.5 2023 C54 |
| Local cutter number (OCLC) ; Book number/undivided call number, CALL (RLIN) |
Y8 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Yu, Rozhelle Sophia L. |
| Relator term |
author |
| 9 (RLIN) |
25207 |
| 245 ## - TITLE STATEMENT |
|---|
| Title |
Hello, love, goodbye: |
| Remainder of title |
a feminist critical discourse analysis on the representation of filipina migrant workers in popular filipino film / |
| Statement of responsibility, etc. |
Rozhelle Sophia L. Yu; Nelfa M. Glova, adviser |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Date of publication, distribution, etc. |
2023 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
118 leaves |
| 502 ## - DISSERTATION NOTE |
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| Dissertation note |
Thesis |
| Degree type |
(BA Communication and Media Arts) |
| Name of granting institution |
University of the Philippines Mindanao, |
| Year degree granted |
2023 |
| 520 3# - SUMMARY, ETC. |
|---|
| Summary, etc. |
Film uses its discourse to communicate crucial information to a wide audience, allow for the discussion of past knowledge, and contribute to the development of new knowledge, which also has the potential to regulate or question already-existing societal systems. With this, I addressed the representation of Filipina migrant workers in Filipino-made films. Critically analyzing how the abuse and realities that this marginalized group continuously face in their line of work are being represented in popular films that involve the narratives of people from this group specifically. At the same time, paying close attention to the involvement of the societal institutions and structures of class, labor, and migration that all have gendered-centered nuances around them in the narrative as well. Through the use of a Feminist Critical Discourse Analysis (FCDA), the oppressive systems, harmful ideologies, and unbalanced nature of the power dynamics within the film Hello, Love, Goodbye were uncovered. This revealed the common themes of (1) Asymmetric Relations between Filipina Migrant Workers and Everyone Else, (2) Female Migrant Workers as Transnational Mothers, (3) Filipina Migrant Workers as Passive Subjects to the Dominant Group, (4) The Labor Conditions of Filipina Migrant Workers, (5) The Role of Hello, Love, Goodbye as a Medium, and (6) Normalizing Oppressive System that was heavily utilized in the film. These findings helped enhance understanding regarding the intricate multilayered interactions among gender, power, and ideology in film discourse and the political economy of Filipino films in general |
| 658 ## - INDEX TERM--CURRICULUM OBJECTIVE |
|---|
| Main curriculum objective |
UndergraduateThesis |
| Curriculum code |
COMA200 |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Glova, Nelfa M. |
| Relator term |
adviser |
| 9 (RLIN) |
23241 |
| 905 ## - LOCAL DATA ELEMENT E, LDE (RLIN) |
|---|
| a |
Fi |
| -- |
UP |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Thesis |
| Suppress in OPAC |
No |
