Lights, camera, animate!: (Record no. 2315)

MARC details
000 -LEADER
fixed length control field 02775nam a22002173a 4500
001 - CONTROL NUMBER
control field UPMIN-00003596432
003 - CONTROL NUMBER IDENTIFIER
control field UPMIN
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20230912152515.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 230912b |||||||| |||| 00| 0 eng d
040 ## - CATALOGING SOURCE
Transcribing agency UPMin
090 #0 - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (RLIN)
Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) LG993.5 2009 C54
Local cutter number (OCLC) ; Book number/undivided call number, CALL (RLIN) B67
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Bote, Getulio Eduardo S.
Relator term author
9 (RLIN) 23546
245 ## - TITLE STATEMENT
Title Lights, camera, animate!:
Remainder of title applying character animation to storytelling /
Statement of responsibility, etc. Getulio Eduardo S. Bote
300 ## - PHYSICAL DESCRIPTION
Extent 53 leaves
502 ## - DISSERTATION NOTE
Dissertation note Thesis, Undergraduate (BA Communication Arts) -- U. P. in Mindanao
520 3# - SUMMARY, ETC.
Summary, etc. The study focused primarily on 2D(two-dimensional) character animation. Character animation concerns itself with the animation of one or more characters featured in an animated work (Character animation, 2008). It is a specialized area of the animation process. In addition, it is usually one part of a larger production, and it is often made to complement voice acting. Research had to be done before the creation of the short animated film. The most important findings were: The seven(7) concepts of acting: (1) ?a scene in a negotiation?; (2) ?thinking tends to lead to conclusions; emotions tends to lead to action?; (3) ? play an action until something happens to make you play a different action?; (4) ?theatrical reality is not the same thing as regular reality?; (5) Humans empathize only with emotion, not with thinking?; (6) ?in acting, an obstacle is the same thing as conflict?; and (7)? there are only three kinds of conflict (obstacles): (1) conflict with self; (2) Conflict with the situation; and (3) conflict with another character? (refer to the review of the related literature for details). The twelve(12) animation principles: (1) Squash and stretch, (2) anticipation, (3) Staging, (4) Straight Ahead Action and Pose-to-pose, (5) Follow Through and Overlapping Action, (6) Slow in and Slow out, (7) Arcs, (8) Secondary Actions, (9) Timing, (10) Exaggeration, (11) Solid Drawing, and (12) Appeal. The study that was done on character animation lead to the creation of a short Flash animated film, which was the secondary focus of this thesis. The short animated film was an application of the findings about character animation. The different camera shots were animated in separate FLAs. And it was delivered in a DVD format. The 7 acting concepts were used in different scenes, while the twelve(12) animation principles tell a character how to do it. Both of them were designed to be used in the preproduction and production stages of the creative process. No use was found for them in the post-production stage as this stage did not involve anything related to character design and animation.
650 17 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Communication Arts
General subdivision Media arts
9 (RLIN) 23160
905 ## - LOCAL DATA ELEMENT E, LDE (RLIN)
a FI
905 ## - LOCAL DATA ELEMENT E, LDE (RLIN)
a UP
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Library of Congress Classification
Koha item type Thesis
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Status Collection Home library Current library Shelving location Date acquired Source of acquisition Accession Number Total Checkouts Full call number Barcode Date last seen Copy number Price effective from Koha item type
    Library of Congress Classification     Room-Use Only College of Humanities and Social Sciences College of Humanities and Social Sciences   2009-10-06 donation CHSS-T-gd4863   LG993.5 2009 C54 B67 3UPML00023484 2022-10-05   2022-10-05 Thesis
    Library of Congress Classification   Not For Loan Preservation Copy University Library University Library Archives and Records 2009-10-06 donation UAR-T-gd1319   LG993.5 2009 C54 B67 3UPML00033224 2022-10-05 1 2022-10-05 Thesis
    Library of Congress Classification   Not For Loan Preservation Copy University Library University Library Archives and Records 2009-10-06 donation UAR-T-gd1321   LG993.5 2009 C54 B67 3UPML00033229 2022-10-05 2 2022-10-05 Thesis
    Library of Congress Classification   Not For Loan Preservation Copy University Library University Library Archives and Records 2010-07-22 donation UAR-T-gd1603   LG993.5 2009 C54 B67 3UPML00033157 2022-10-05 3 2022-10-05 Thesis
    Library of Congress Classification   Not For Loan Preservation Copy University Library University Library Archives and Records 2010-07-22 donation UAR-T-gd1605   LG993.5 2009 C54 B67 3UPML00033138 2022-10-05 4 2022-10-05 Thesis
    Library of Congress Classification   Not For Loan Preservation Copy University Library University Library Archives and Records 2010-07-22 donation UAR-T-gd1607   LG993.5 2009 C54 B67 3UPML00033139 2022-10-05 5 2022-10-05 Thesis
 
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