MARC details
000 -LEADER |
fixed length control field |
02700nam a22002533a 4500 |
001 - CONTROL NUMBER |
control field |
UPMIN-00020542426 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
UPMIN |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20231027130229.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
231027b |||||||| |||| 00| 0 eng d |
040 ## - CATALOGING SOURCE |
Transcribing agency |
UPMin |
041 ## - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
090 #0 - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (RLIN) |
Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
LG 993.5 2018 C54 |
Local cutter number (OCLC) ; Book number/undivided call number, CALL (RLIN) |
G66 |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Gonzales, Dane Anthony M., |
Relator term |
author |
9 (RLIN) |
24029 |
245 ## - TITLE STATEMENT |
Title |
Cinema beyond aesthetics : |
Remainder of title |
analyses on the aestheticization of violence and abjection in the cinema of Brillante Mendoza / |
Statement of responsibility, etc. |
Dane Anthony M. Gonzales; Jay Jomar F. Quintos, adviser |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
2018 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
112 leaves |
502 ## - DISSERTATION NOTE |
Dissertation note |
Thesis (BA Communication Arts) -- University of the Philippines Mindanao, 2018 |
520 3# - SUMMARY, ETC. |
Summary, etc. |
The researcher explored the cinema of Brillante Mendoza as one of the face of Philippine Independent New Wave Cinema. His films are often portrayed the quotidian lives of Filipino people and themes of violence in society. The study analyzes the aesthetics of violence and abjection among the 14 films of Brillante Mendoza (2005-2016). Using the textual analysis, the movies are interpreted on how it uses the elements of cinema, such as the mise-en-scene, and sound design. The study also focuses on four categories of violence: Subjective/Direct Violence, Structural Violence, Cultural Violence, and Systematic Violence. The analyses are all grounded by the critical theory of abjection by Julia Kristeva. The theory correlates to the portrayal of violence which emphasizes the abject that disturbs the identity, system, and symbolic social order. It also suggests that abjection can explain the structural and political acts of inclusion/exclusion in our society. The results exhibit Mendoza?s competence and expertise in terms of their plasticity and aesthetics. In relation to violence and abjection, his choice of aesthetics emphasized the vulnerability and mortality of human bodies. To aestheticize the considered abject of society or the excluded characters, Mendoza depicts their struggles and suffering using the cinematic elements. Several of his films also portrayed aspects of culture that legitimize certain acts of violence and purify the perpetrators of violence. To aestheticize violence and abjection, Mendoza obediently follows the existing social order and accepts the oppressive system in our society. Since aesthetics is the main priority in his portrayal of violence and abjection, the implication creates a gap to engage with significant social issues in the scenes of his films. |
658 ## - INDEX TERM--CURRICULUM OBJECTIVE |
Main curriculum objective |
UndergraduateThesis |
Curriculum code |
COMA200, |
Source of term or code |
BACA, College of Humanities and Social Sciences |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Quintos, Jay Jomar F., |
Relator term |
adviser |
9 (RLIN) |
23724 |
905 ## - LOCAL DATA ELEMENT E, LDE (RLIN) |
a |
Fi |
905 ## - LOCAL DATA ELEMENT E, LDE (RLIN) |
a |
UP |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Library of Congress Classification |
Koha item type |
Thesis |