MARC details
| 000 -LEADER |
|---|
| fixed length control field |
02254nam a22002533a 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
UPMIN-00021223228 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
UPMIN |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20240105104717.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
240105b |||||||| |||| 00| 0 eng d |
| 040 ## - CATALOGING SOURCE |
|---|
| Transcribing agency |
UPMin |
| 041 ## - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
eng |
| 090 #0 - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (RLIN) |
|---|
| Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
LG 993.5 2019 |
| Local cutter number (OCLC) ; Book number/undivided call number, CALL (RLIN) |
C54 P66 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Pongan, Pocholo Miguel a., |
| Relator term |
author |
| 9 (RLIN) |
24622 |
| 245 ## - TITLE STATEMENT |
|---|
| Title |
Sari-saring kasarian : |
| Remainder of title |
conceptual photographs of the self-representation of select LGBTQ young adults' gender identities and expressions in Davao City / |
| Statement of responsibility, etc. |
Pocholo Miguel A. Pongan; Mishael Jacob L. Pueblas, adviser |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Date of publication, distribution, etc. |
2019 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
144 leaves |
| 502 ## - DISSERTATION NOTE |
|---|
| Dissertation note |
Thesis (BA Communication Arts) -- University of the Philippines Mindanao, 2019 |
| 520 3# - SUMMARY, ETC. |
|---|
| Summary, etc. |
Sari-saring Kasarian explores how conceptual photography interpreted the self-representation of the gender identities and expressions on nine select LGBTQ young adults from Davao City. The stories told through the photographs root itself in authentic experiences shared by LGBTQ young adults from Davao City. Using J. Neil Garcia's queer theory of "panloob" and "panlabas" as the foundation of this study along with the gaze of the photographer. The photographs serve as a channel that relayed the narratives and self-identity of the individuals shown in the photographs. The use of conceptual photography in this study is to visually present realities from author's angle of vision, and further enhance the ability of the photos to depict self-expression. Even though conceptual photographs oppose how photographs depict truth, as they appear manipulated, staged and even amplified and that the researcher's gaze is the one that constructs their identities in the photographs, the photographs in this study are still strongly anchored on reality. Being in a predominantly catholic country that has long shunned the reality of these existing realities this study chose to make them visible through photography and at the same times serves to remind that the only individuals who can define the LGBTQIA+ are themselves. |
| 658 ## - INDEX TERM--CURRICULUM OBJECTIVE |
|---|
| Main curriculum objective |
UndergraduateThesis |
| Curriculum code |
COMA200, |
| Source of term or code |
BACA, College of Humanities and Social Sciences |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Pueblas, Mishael Jacob L., |
| Relator term |
adviser |
| 9 (RLIN) |
23245 |
| 905 ## - LOCAL DATA ELEMENT E, LDE (RLIN) |
|---|
| a |
Fi |
| 905 ## - LOCAL DATA ELEMENT E, LDE (RLIN) |
|---|
| a |
UP |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Thesis |
