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Audionarratology : lessons from radio drama / edited by Lars Bernaerts and Jarmila Mildorf.

Contributor(s): Material type: TextTextSeries: Theory and interpretation of narrative seriesPublisher: Columbus : The Ohio State University Press, [2021]Copyright date: ©2021Description: vi, 238 pages ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780814214725
  • 081421472X
Subject(s): DDC classification:
  • 809.2/22 23
LOC classification:
  • PN1991.65 .A93 2021
Contents:
Introduction: When sounds make stories: lessons for narrative theory from the study of radio drama / Lars Bernaerts and Jarmila Mildorf -- Part I: Narratological challenges in theory and practice. The audio dramatist's critical vocabulary in Great Britain / Tim Crook -- "Stage" directions in the radio script: a transgeneric narratological approach / Janine Hauthal -- Narrative mediation and the case of audio drama / Lars Bernaerts -- Earwitnessing: focalization in radio drama / Siebe Bluijs -- Simultaneity and the soundscapes of audio fiction / Caroline A. Kita -- Part II: Narrative genres and narrative experiments in audio drama. "There ain't no sense to nothin'": serial storytelling, radio consciousness, and the gothic of audition / Harry Heuser -- Auricularization and narrative-epistemic stance in Louis Nowra's Echo point / Jarmila Mildorf -- "Arthur lolled": audiophony and humor in The Hitchhiker's guide to the galaxy / Olivier Couder -- Gargantuan adaptations: narrative and non-narrative soundscapes in English and German radio plays and radio operas based on François Rabelais and Johann Fischart / Till Kinzel -- Music, voice, and (de)narrativization in Samuel Beckett's radio play Cascando / Pim Verhulst -- Coda: Radio drama between mimetic and diegetic presentation / Marie-Laure Ryan.
Summary: "Explores how radio dramas such as I Love a Mystery and The Hitchhiker's Guide to the Galaxy construct narrative through sound, music, language, and voice"-- Provided by publisher.
List(s) this item appears in: BA Communication Arts
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Book Book University Library Regular Circulation Circulating PN1991.65 A93 2021 (Browse shelf(Opens below)) Available 3UPML00026846

NM Glova (Recommending faculty) AY 2022-2023

Includes bibliographical references and index.

Introduction: When sounds make stories: lessons for narrative theory from the study of radio drama / Lars Bernaerts and Jarmila Mildorf -- Part I: Narratological challenges in theory and practice. The audio dramatist's critical vocabulary in Great Britain / Tim Crook -- "Stage" directions in the radio script: a transgeneric narratological approach / Janine Hauthal -- Narrative mediation and the case of audio drama / Lars Bernaerts -- Earwitnessing: focalization in radio drama / Siebe Bluijs -- Simultaneity and the soundscapes of audio fiction / Caroline A. Kita -- Part II: Narrative genres and narrative experiments in audio drama. "There ain't no sense to nothin'": serial storytelling, radio consciousness, and the gothic of audition / Harry Heuser -- Auricularization and narrative-epistemic stance in Louis Nowra's Echo point / Jarmila Mildorf -- "Arthur lolled": audiophony and humor in The Hitchhiker's guide to the galaxy / Olivier Couder -- Gargantuan adaptations: narrative and non-narrative soundscapes in English and German radio plays and radio operas based on François Rabelais and Johann Fischart / Till Kinzel -- Music, voice, and (de)narrativization in Samuel Beckett's radio play Cascando / Pim Verhulst -- Coda: Radio drama between mimetic and diegetic presentation / Marie-Laure Ryan.

"Explores how radio dramas such as I Love a Mystery and The Hitchhiker's Guide to the Galaxy construct narrative through sound, music, language, and voice"-- Provided by publisher.

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