000			02385nam a22002177a 4500
003			UPMIN
005			20240320163843.0
008			240223b |||||||| |||| 00| 0 eng d
040			_cUPMin
090			_aLG993.5 2023 _bC54 A44
100			_aAlfonso, Janielle Rose T. _eauthor _925158
245			_aRepresentation of women in the lyrics of Cha-Cha songs: _ba critical discourse analysis of selected Waray-Waray songs / _cJanielle Rose T. Alfonso; Karen Joyce G. Cayamanda, adviser
260			_c2023
300			_a102 leaves
502			_aThesis _b (BA Communication and Media Arts) _cUniversity of the Philippines Mindanao, _d2023
520	3		_aMusic has always reflected people's perspectives, emotions, and values; it reveals cultural identities, historical backgrounds, and various social dispositions. Lyrics in music, on the other hand, have been thought to fulfill a variety of roles. This thesis set out to examine the women in the lyrics of the Waray-Waray cha-cha songs entitled “Pigsote”, “Pikahi”, “Birahe”, and “Turutanding”. The main aims of this study were to: (1) identify the elements presented in the selected Waray-Waray cha-cha songs, (2) unravel how the themes are presented in the selected Waray-Waray cha-cha songs, and (3) discover how discourse plays in the depiction of women in the lyrics of the popular Waray-Waray cha-cha songs. Employing the Critical Discourse Analysis Theory during the investigation of media texts, the study discovered that the three songs established a good communicative occurrence since they have met the seven standards of textuality: cohesion, coherence, intentionality, acceptability, situationality, informativity, and intertextuality. This study discovered that the themes of the Waray-Waray cha-cha songs were communicated through the use of sexual innuendos, sensuous descriptive phrases, and sexual metaphors directed towards women. Additionally, by integrating the perspectives of Muted Group Theory and Cultivation Theory, it was able to determine the essence of discourse in revealing the pervasive and frequently hidden systems of beliefs, standards, and ideals that women receive from the way they are portrayed in the lyrics of the Waray-Waray songs.
658			_aUndergraduateThesis _cCOMA200
700			_aCayamanda, Karen Joyce G. _eadviser _9743
905			_aFi _aUP
942			_2lcc _cTHESIS _n0
999			_c20537 _d20537